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Mizoram - In Rainbow Country



The very nature and the life of the Mizos revolve around the age-old concepts ingrained in the old belief of Tlawmngaihna


According to a prophecy, it was believed that the Mizos planted a Banyan tree in Khampat, Myanmar and said they would come back to the same place when the roots of the Banyan tree touched the ground. Lt. Gen. S.K. Pillai, who has done research on Mizoram quotes a part of the old Mizo song on the great Banyan tree that goes:


“It thrives under the protection of the Supreme Being.


Wait until the earth is touched by its branches spreading,


That shall be the time to restore

Our principal town as times before.”


Some of the branches of the tree touched the ground in March 1916. Hearing about this, some 40 families migrated back from India to Khampat. Later on 12 March 1952, Mizo visitors from India found that the top of the tree had broken and fallen to the ground. A month later on the 25th of April, 1952, the Autonomous Mizo Hills District Council was formed under the 6th Schedule of our Constitution. This was the first time in Mizo history that a unified Mizo political entity was formed (earlier there were only several large Chieftainships). So in a way, the Khampat prophecy was fulfilled — an area was restored which identified all of them as a group.


That was the beginning of the history of Mizoram. Mizoram or the Land of the Lushais lies to the southern tip of the north-eastern region. It is a land mass that protrudes from the Indian subcontinent to fall between Bangladesh and Myanmar. This mountainous region became the 23rd state of the Indian union in 1987. Till 1972, it was one of the districts of Assam. Thereafter, it became a Union Territory, and later, a full-fledged state. Mizoram means the land of the Mizos.


There are two major tribes in Mizoram, the Lushais and the Lakhers. The Lushais are in greater numbers.


The Mizos, according to history, belong to a Mongoloid race. Naturally since they were originally migrating people, they came under different influences, and their life today is a rich agglomeration of all the influences.


About hundred years ago, the first missionaries set foot in Mizoram and very soon the whole state was converted to Christianity. Their tribal traditions were almost forgotten. There is a story that says that their script was written on animal skin and a dog ate it up and so they were left even without a script. The missionaries gave them the Roman script.


The Mizos who have a very good voice and are fond of singing found a new outlet with the missionary activity. Today one of India’s best choir group is from Mizoram.


Mizo life is full of folk lores and songs that enrich daily life and has a great deal in common with people all over the world. Their little songs for children are very interesting.


Ding lele artui lo lo is a small rhyme that is used to make children walk. Ding means an egg. Holding the egg in hand, the parent calls the child saying: “Come take the egg from me.”


While such folklore survived, traditional beliefs had become subordinate to Christianity. In the recent past they are re-emerging. The old belief of Tlawmngaihna for instance. Tlawmngaihna is a moral code. It is just a single word but contains within it many ideas on behaviour of the individual. The individual must be honest, truthful, self-sacrificing. These are some of the ideas ingrained in the single word. It cannot be defined and yet it is what Mizo life is all about. Today many Mizos are rediscovering Tlawmngaihna in their lives. “It is the word that they are rediscovering, the idea is so deeply embedded in their lives that Tlawmngaihna always lived,” says Lt. Gen. Pillai who has done extensive work on the moral code of the Mizos.


The Mizos had also some indigenous festivals which, as is true for all parts of India, were closely related to agricultural activity. It also re-emphasized the need for sharing and thanksgiving.


Mizos practice jhum cultivation. They slash and burn the jungle. All their festivals and celebrations are related to sowing and harvesting the fields. The jhum fields are identified in a certain pattern, where the village council is actively involved. Each field, is used for one single cultivation, and after that, it is left to grow back into a forest. Mim Kut, Chapcahr Kut and Pawl Kut are the three major traditional festivals of Mizoram.

Mim Kut is usually celebrated in the months of August and September after their harvest of maize. Singing and dancing mark the celebrations.


Chapchar Kut is celebrated after a jhum field has been cleared. Pawl Kut is a major festival celebrated in December-January. It is the harvest festival.


Cheraw is a famous dance of Mizoram which is performed with bamboos. It requires alert mind and swift movements. Originally, it was performed to appease the spirits that guarded the doors to heaven. Khuallam is a community dance performed while entering a village or beginning an auspicious occasion. It is also performed to welcome guests or receive visitors. Cheihlam is a dance that is typically a dance of joy. Over a mug of frothing beer, verses in three lines are related and there is general merriment and revelry.


Mizoram is the only state in India that is fully literate. Earlier it was second most literate, following Kerala. Today it has even beaten Kerala. Every small village in Mizoram has a small brochure about the village, its traditional name, its people and its specialities. Every small village has primary schools and so literacy level is at its highest in India.


The Mizos are also excellent weavers. They weave, mainly with cotton and wear the puan, a kind of sarong. The wedding puan is very beautiful in a combination of red and white. It takes very long to weave and every woman keeps it as her prized possession. Today, many modern-day designs are also being used in the puans. Earlier puans were woven only on loin looms, while today, even machine looms are being used.


If you walk the streets of Aizawl, the capital of Mizoram, you will constantly hear laughter. Youngster and the old alike always laugh with music on their lips and a greeting in their hearts.